Stein Remix

1.

In the xxx there is xxxing, in the xxxside there is xing, in the xxxxing there is xxxxing, in the xxxing there is xxxxing. In the xing there is xing. In xing anything is xing, in Xing, anything is Xing, in Xing there is resignation, in Xing there is recognition, in XXing there is recurrence and mistaken there is M-ing. All the Y has Ying. This makes ZZ.

2.

In the butter there is buttering, in the basket there is basketing, in the hood there is hooding, in the coating there is coating. In the takeing there is takinging. In off anything is offing, in wood, anything is wooding, in going there is resignation, in shall there is recognition, in going there is recurrence and mistaken there is hood-ing. All the cake has butter. This makes woolf.

six           take            cake

coat          butter          basket

hood          always          off

wolf          mill            shall

going         first           wood


After New Criticism: Seminar in Contemporary Poetics

<meta name="GENERATOR" content="OpenOffice.org 2.3 (Linux)" /> <style type="text/css"> <!-- @page { size: 8.5in 11in; margin: 0.79in } P { margin-bottom: 0.08in } --> </style></p> <p style="margin-bottom: 0in">ENGL 983 - Smnr: Am Auth/Them Lit Thry - Summer 2008<br /> As Rachel Blau DuPlessis observes, “Poetry, most particularly the lyric, has generally been construed (in its university and critical reception) as opposite to society and its discourses. As a mode (and a conglomerate of genres), poetry is often positioned as untainted by the social, in pursuit of higher things, a bastion of transcendence and the aesthetic, privileged by the expression of timeless universal emotions, set apart by specific conventions in its language, and, in its versions of romantic subjectivity, by non-participation in, non-compliance with historical debate. “</p> <p style="margin-bottom: 0in">Following Du Plessis and others, we explore how such self-enclosed reading practices, associated with New Criticism, are fundamentally ideological. This seminar asks students to step beyond the new critical habits to think about how to read and teach poetry as engaged with the social, enmeshed in particular instances of publication, circulation, and performance. We engage with what could be called the turn towards Materiality, Pedagogy, and Culture in late 20th-century poetics, as explored by critics like DuPlessis (Gender, Race, and Religious Culture in Modern American Poetry), Cary Nelson (Repression and Recovery), Paul Naylor (Poetic Investigations: Singing the Holes in History). The formalism of the mid-twentieth century has been reworked into grounded readings the link the cultural work of poetry with its specific materialities and forms by Jerome McGann (Textual Condition), Barrett Watten (The Constructivist Moment: From Material Text to Cultural Poetics), Spahr and Retallack (Poetry and Pedagogy: The Challenge of the Contemporary).</p> <p style="margin-bottom: 0in">Shared literary readings will be in 20th-century American poetry, but the methodological and critical readings address broader issues that will allow students, should they choose, to pursue final research essays on texts from other national traditions or earlier periods.</p> <p style="margin-bottom: 0in">Anthology of Modern American Poetry. Ed. Cary Nelson. Oxford UP  0195122712<br /> http://www.amazon.com/Anthology-Modern-American-Poetry-Nelson/dp/0195122712/ref=sr_1_1?ie=UTF8&s=books&qid=1209954725&sr=1-1</p> <p>Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910-1945. Cary Nelson.  Wisconsin UP  0299123448<br /> http://www.amazon.com/Repression-Recovery-American-1910-1945-Wisconsin/dp/0299123448/ref=sr_1_1?ie=UTF8&s=books&qid=1209954075&sr=1-1</p> <p>A Concise Companion to 20th Century Ameican Poetry, ed. Fredman. Blackwell P 2005.  1405120037<br /> http://www.amazon.com/Companion-Twentieth-Century-American-Companions-Literature/dp/1405120037/ref=sr_1_1?ie=UTF8&s=books&qid=1209954018&sr=1-1</p> <p>Genders, Races and Religious Cultures in Modern American Poetry. DuPlessis. Cambridge UP 0521483352<br /> http://www.amazon.com/Religious-Cultures-1908-1934-Cambridge-Literature/dp/0521483352/ref=dp_return_1?ie=UTF8&n=283155&s=books</p> <p>My Way: Speeches and Poems. Bernstein. Chicago, 1999. Chicago  978-0226044101<br /> http://www.amazon.com/My-Way-Speeches-Charles-Bernstein/dp/0226044106/ref=sr_1_1?ie=UTF8&s=books&qid=1209953736&sr=8-1</p> <p style="margin-bottom: 0in"> </div><!-- END POST-ENTRY --> <p class="post-footer">¶ Posted <a href="http://www.sherwoodweb.org/blog/?p=13" title="Permalink to After New Criticism: Seminar in Contemporary Poetics" rel="permalink">31 March 2008</a> § <a href="http://www.sherwoodweb.org/blog/?cat=2" title="View all posts in poetry" rel="category tag">poetry</a> ‡ <a href="http://www.sherwoodweb.org/blog/?p=13#respond" title="Comment on After New Criticism: Seminar in Contemporary Poetics">Comments (0)</a></p> <!-- <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback/"> <rdf:Description rdf:about="http://www.sherwoodweb.org/blog/?p=13" dc:identifier="http://www.sherwoodweb.org/blog/?p=13" dc:title="After New Criticism: Seminar in Contemporary Poetics" trackback:ping="http://www.sherwoodweb.org/blog/wp-trackback.php?p=13" /> </rdf:RDF> --> </div><!-- END POST --> <div id="post-12" class="post"> <h2 class="post-title"><a href="http://www.sherwoodweb.org/blog/?p=12" title="Permalink to Re: Rereading Reading" rel="bookmark">Re: Rereading Reading</a></h2> <div class="post-entry"> <p>There have been some fascinating forays into questions about the status of the book, library, and reading in popular publications lately. See:Kirschenbaum, <a href="http://chronicle.com/free/v53/i50/50b00801.htm">HamletDoc on Chronicle.com</a></p> <p>Kirschenbaum, <a href="http://chronicle.com/temp/reprint.php?id=fgprwfnh32l7d3thj18vh3jz79k9f6fw">How Reading is Being Reimagined </a>on Chronicle.com</p> <p>Crain, <a href="http://www.newyorker.com/arts/critics/atlarge/2007/12/24/071224crat_atlarge_crain">Twilight of the Books</a> at the NewYorker.com </p> </div><!-- END POST-ENTRY --> <p class="post-footer">¶ Posted <a href="http://www.sherwoodweb.org/blog/?p=12" title="Permalink to Re: Rereading Reading" rel="permalink">04 February 2008</a> § <a href="http://www.sherwoodweb.org/blog/?cat=6" title="View all posts in recent reading" rel="category tag">recent reading</a> ‡ <a href="http://www.sherwoodweb.org/blog/?p=12#respond" title="Comment on Re: Rereading Reading">Comments (0)</a></p> <!-- <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback/"> <rdf:Description rdf:about="http://www.sherwoodweb.org/blog/?p=12" dc:identifier="http://www.sherwoodweb.org/blog/?p=12" dc:title="Re: Rereading Reading" trackback:ping="http://www.sherwoodweb.org/blog/wp-trackback.php?p=12" /> </rdf:RDF> --> </div><!-- END POST --> <div id="post-5" class="post"> <h2 class="post-title"><a href="http://www.sherwoodweb.org/blog/?p=5" title="Permalink to Copying and Art" rel="bookmark">Copying and Art</a></h2> <div class="post-entry"> <p>There’s a marvelous piece by Jonathan Lethem in <a href="http://harpers.org/TheEcstasyOfInfluence.html">Harper’s</a> (February 2007) about influence, copying, and plagiarism in art and culture. In a masterful performance, he brings home the idea that the legal actions against sample and remix artists which have made “copying” such a prominent issue in the digital age produce a risky distortion of copying and appropriation. Within a fabric of stolen, borrowed, and adapted quotations, Lethem shows that creative “making” occurs in relation to other texts and materials.</p> <p>Some years ago, a friend deeply enmeshed in the study of William Morris handed me one of my favorite poetics quotations: “You can’t have art without resistance in the material.”  (Truth be told, I googled this … as I’d managed to refashion it as: All art grows from the resistance of the material!)  What fascinates me is the idea that the engagement with the limits of a medium, its conventions and its materiality (as painting differs from music, one spatial, the other temporal), is not a problem but rather the enabling stage of any performance.</p> <p>So that’s the postmodern torquing of the idea of <em>constraint</em> which is used to mean some thing that limits without really limiting.  I associate this with my pleasure in jazz improvisation, as the player engages with a given situation — performance moment, song, the players in the ensemble. But I’ve also come to be glad for it as a thread of coherenc in my otherwise incongruous interests in oral poetry and digital literature. What is the connection between traditional and contemporary? For me, witnessing and attending to the particulars of an oral performance, in its place, time, and moment … in which poet engages with this situation … rhymes nicely with the new media artist engaged with the potentials and constraints of a new performance space … the flat panel of the liquid crystal display.<br /> http://www.radioopensource.org/the-ecstasy-of-influence/</p> <p>http://harpers.org/TheEcstasyOfInfluence.html </p> </div><!-- END POST-ENTRY --> <p class="post-footer">¶ Posted <a href="http://www.sherwoodweb.org/blog/?p=5" title="Permalink to Copying and Art" rel="permalink">08 August 2007</a> § <a href="http://www.sherwoodweb.org/blog/?cat=5" title="View all posts in digital culture" rel="category tag">digital culture</a> ‡ <a href="http://www.sherwoodweb.org/blog/?p=5#respond" title="Comment on Copying and Art">Comments (0)</a></p> <!-- <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback/"> <rdf:Description rdf:about="http://www.sherwoodweb.org/blog/?p=5" dc:identifier="http://www.sherwoodweb.org/blog/?p=5" dc:title="Copying and Art" trackback:ping="http://www.sherwoodweb.org/blog/wp-trackback.php?p=5" /> </rdf:RDF> --> </div><!-- END POST --> <div id="post-7" class="post"> <h2 class="post-title"><a href="http://www.sherwoodweb.org/blog/?p=7" title="Permalink to A’Zoot d’Puund" rel="bookmark">A’Zoot d’Puund</a></h2> <div class="post-entry"> <p>Various obligations have held up some of the production work that should be blossoming on <a target="_blank" href="http://www.audibleword.org">Audibleword.org.</a></p> <p align="left">Here’s a single poem from Charles Bernstein’s visit to Indiana, a poem in which he pays a kind of tribute to the modernist poet Ezra Pound (a Penn alumnus by the way), but also exemplary in its own modernist-inspired treatment of sound. As much as we are given, in classrooms, to thematic analysis, “sound” is arguably the constitutive element of poetry. Why not give it center stage, as Charles does here:</p> <p align="right"> <p align="right"><div class="podPress_content"><div id="podPressPlayerSpace_7" style="display: none;"></div> <a href="http://www.audibleword.org/audio_files_offpage/Bernstein-Offpage-April2006-Mp3-CUTS/bernstein-charles_06_aootdpuund_offpage_20060411.mp3" target="new"><img src="http://www.sherwoodweb.org/blog/wp-content/plugins/podpress/images/audio_mp3_button.png" border="0" align="top" class="podPress_imgicon" alt="icon for podpress" /></a>  A Zoot D'Puund [5:48m]: <a href="javascript:void(null);" onclick="podPressShowHidePlayerDiv('podPressPlayerSpace_7', 'mp3Player_7_0', '300:30', 'http%3A%2F%2Fwww.audibleword.org%2Faudio_files_offpage%2FBernstein-Offpage-April2006-Mp3-CUTS%2Fbernstein-charles_06_aootdpuund_offpage_20060411.mp3'); return false;"><span id="podPressPlayerSpace_7_label_mp3Player_7_0">Play Now</span></a> | <a href="javascript:void(null);" onclick="window.open ('http://www.sherwoodweb.org/blog/wp-content/plugins/podpress/podpress_backend.php?podPressPlayerAutoPlay=yes&standalone=yes&action=showplayer&id=7&mediaNum=0&filename=http%3A%2F%2Fwww.audibleword.org%2Faudio_files_offpage%2FBernstein-Offpage-April2006-Mp3-CUTS%2Fbernstein-charles_06_aootdpuund_offpage_20060411.mp3&dimension=300:30', 'podPressPlayer', 'toolbar=0,scrollbars=0,location=0,statusbar=0,menubar=0,resizable=1,width=310,height=80'); return false;">Play in Popup</a> | <a href="http://www.audibleword.org/audio_files_offpage/Bernstein-Offpage-April2006-Mp3-CUTS/bernstein-charles_06_aootdpuund_offpage_20060411.mp3" target="new">Download</a><br/> <script type="text/javascript"> podPressPlayerToLoad('podPressPlayerSpace_7', 'mp3Player_7_0', '300:30', 'http%3A%2F%2Fwww.audibleword.org%2Faudio_files_offpage%2FBernstein-Offpage-April2006-Mp3-CUTS%2Fbernstein-charles_06_aootdpuund_offpage_20060411.mp3'); </script></div></p> <p>Why no other buttons? </p> </div><!-- END POST-ENTRY --> <p class="post-footer">¶ Posted <a href="http://www.sherwoodweb.org/blog/?p=7" title="Permalink to A’Zoot d’Puund" rel="permalink">19 April 2007</a> § <a href="http://www.sherwoodweb.org/blog/?cat=2" title="View all posts in poetry" rel="category tag">poetry</a> ‡ <a href="http://www.sherwoodweb.org/blog/?p=7#respond" title="Comment on A’Zoot d’Puund">Comments (0)</a></p> <!-- <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback/"> <rdf:Description rdf:about="http://www.sherwoodweb.org/blog/?p=7" dc:identifier="http://www.sherwoodweb.org/blog/?p=7" dc:title="A’Zoot d’Puund" trackback:ping="http://www.sherwoodweb.org/blog/wp-trackback.php?p=7" /> </rdf:RDF> --> </div><!-- END POST --> <div id="post-6" class="post"> <h2 class="post-title"><a href="http://www.sherwoodweb.org/blog/?p=6" title="Permalink to Blues and Performance" rel="bookmark">Blues and Performance</a></h2> <div class="post-entry"> <p><em>The Blues</em> represent a crucial, rich terrain for those interested in performance, oral tradition, and vernacular culture. One of the pleasures of teaching advanced courses is the opportunity to follow the developing interests of a graduate student discovering these connections and recognizing an emerging area of research.</p> <p>Many accessible texts take musicological and historical approaches that emphasize language less that the poet or literary scholar might wish. Jeff Todd Titon has been writing about this issues for some years. An early and influencial book is his <em>Powerhouse for God: Speech, Chant, and Song in an Appalachian Baptist Church</em>,which looks at the poetics of oral performances in cultural context. His 1995 volume <em>Early Downhome Blues: A Musical and Cultural Analysis</em> does the ethnomusicological homework, and interweaves performance transcriptions that are very much in the spirit of ethnopoetics.</p> <p>As I think about oral poetics at work within blues performance–the language, the situation in relation to audience, even thematics–I’m interested both in what “oral” dynamics are at play and, perhaps even more, how the vocabulary and perspective of poetics can cast the blues in a new light.</p> <p>Somehow it brings to mind the speech “formula” : Love is wasted on youth.  The distance from my own graduate days is now sufficient that I can begin to look back with some nostalgia at those periods of energetic, obsessive inquiry and discovery.</p> <p><a target="_blank" href="http://jsound5000.wordpress.com/2007/04/12/discovering-a-chapter/trackback/"><br /> http://jsound5000.wordpress.com/2007/04/12/discovering-a-chapter/trackback/</a> </p> </div><!-- END POST-ENTRY --> <p class="post-footer">¶ Posted <a href="http://www.sherwoodweb.org/blog/?p=6" title="Permalink to Blues and Performance" rel="permalink">12 April 2007</a> § <a href="http://www.sherwoodweb.org/blog/?cat=2" title="View all posts in poetry" rel="category tag">poetry</a>, <a href="http://www.sherwoodweb.org/blog/?cat=8" title="View all posts in responding" rel="category tag">responding</a> ‡ <a href="http://www.sherwoodweb.org/blog/?p=6#respond" title="Comment on Blues and Performance">Comments (0)</a></p> <!-- <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback/"> <rdf:Description rdf:about="http://www.sherwoodweb.org/blog/?p=6" dc:identifier="http://www.sherwoodweb.org/blog/?p=6" dc:title="Blues and Performance" trackback:ping="http://www.sherwoodweb.org/blog/wp-trackback.php?p=6" /> </rdf:RDF> --> </div><!-- END POST --> <div id="post-3" class="post"> <h2 class="post-title"><a href="http://www.sherwoodweb.org/blog/?p=3" title="Permalink to Kodachrome Blue Syntax" rel="bookmark">Kodachrome Blue Syntax</a></h2> <div class="post-entry"> <p>This piece is my first, full-blown exploration of multimedia using macromedia flash. It still needs a “loader,” so be patient as it installs. <a target="_blank" title="Kodacrhome Blue Syntax" href="http://www.sherwoodweb.org/hybrid/KBS-Sherwood2006.swf">KBS</a> </p> </div><!-- END POST-ENTRY --> <p class="post-footer">¶ Posted <a href="http://www.sherwoodweb.org/blog/?p=3" title="Permalink to Kodachrome Blue Syntax" rel="permalink">06 November 2006</a> § <a href="http://www.sherwoodweb.org/blog/?cat=7" title="View all posts in new media poetry" rel="category tag">new media poetry</a> ‡ <a href="http://www.sherwoodweb.org/blog/?p=3#respond" title="Comment on Kodachrome Blue Syntax">Comments (0)</a></p> <!-- <rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback/"> <rdf:Description rdf:about="http://www.sherwoodweb.org/blog/?p=3" dc:identifier="http://www.sherwoodweb.org/blog/?p=3" dc:title="Kodachrome Blue Syntax" trackback:ping="http://www.sherwoodweb.org/blog/wp-trackback.php?p=3" /> </rdf:RDF> --> </div><!-- END POST --> <div class="navigation"> <div class="alignleft"></div> <div class="alignright"></div> </div> </div><!-- END CONTENT / NARROWCOLUMN --> </div><!-- END CONTAINER --> <div id="col1" class="sidebar"> <ul> <li class="pagenav"><h2>Contents</h2><ul><li class="page_item"><a href="http://www.sherwoodweb.org/blog/?page_id=2" title="About">About</a></li> </ul></li> <li id="recent-comments"> <h2>Recent Comments</h2> <ul> <li>No comments yet</li> </ul> </li> <li id="category-links"> <h2>Categories</h2> <ul> <li><a href="http://www.sherwoodweb.org/blog/?cat=5" title="View all posts filed under digital culture">digital culture</a> </li> <li><a href="http://www.sherwoodweb.org/blog/?cat=7" title="View all posts filed under new media poetry">new media poetry</a> </li> <li><a href="http://www.sherwoodweb.org/blog/?cat=2" title="View all posts filed under poetry">poetry</a> </li> <li><a href="http://www.sherwoodweb.org/blog/?cat=6" title="View all posts filed under recent reading">recent reading</a> </li> <li><a href="http://www.sherwoodweb.org/blog/?cat=8" title="View all posts filed under responding">responding</a> </li> <li><a href="http://www.sherwoodweb.org/blog/?cat=1" title="View all posts filed under Uncategorized">Uncategorized</a> </li> </ul> </li> <li id="rss-links"> <h2>RSS Feeds</h2> <ul> <li class="rss-link"><a href="http://www.sherwoodweb.org/blog/?feed=rss2" title="Kenneth Sherwood RSS 2.0 (XML) Feed" rel="alternate" type="application/rss+xml">All posts</a></li> <li class="rss-link"><a href="http://www.sherwoodweb.org/blog/?feed=comments-rss2" title="Kenneth Sherwood Comments RSS 2.0 (XML) Feed" rel="alternate" type="application/rss+xml">All comments</a></li> </ul> </li> <li id="info-copyright"> <h2>Kenneth Sherwood</h2> <ul> <li>© 2010 kwsherwood</li> <li>Powered by <a href="http://wordpress.org/" title="WordPress">WordPress</a></li> <li>Compliant: <a href="http://validator.w3.org/check?uri=http://www.sherwoodweb.org/blog&outline=1&verbose=1" title="Valid XHTML 1.0 Strict" rel="nofollow">XHTML</a> & <a href="http://jigsaw.w3.org/css-validator/validator?uri=http://www.sherwoodweb.org/blog/wp-content/themes/blogtxt-12/style.css&profile=css2&warning=no" title="Valid CSS" rel="nofollow">CSS</a></li> <li><a href="http://www.sherwoodweb.org/blog/wp-login.php">Login</a></li> </ul> </li> <li id="search"> <h2><label for="s">Search</label></h2> <form id="searchform" method="get" action="http://www.sherwoodweb.org/blog/"> <div> <input id="s" name="s" type="text" value="" tabindex="1" size="10" /> <input id="searchsubmit" name="searchsubmit" type="submit" value="Find" tabindex="2" /> </div> </form> </li> </ul> </div><!-- END COL2 / SIDEBEAR --><div id="footer"> <p> <a href="http://www.plaintxt.org/themes/blogtxt/" title="blog.txt for WordPress" rel="follow">blog.txt</a> theme by <a href="http://scottwallick.com/" title="scottwallick.com" rel="follow">Scott</a> and sponsored by <a href="http://www.digitalflowers.com" title="digitalflowers.com">Flower Delivery</a> <script type="text/javascript">podPressShowPlayersToLoad();</script><div id="podPress_footer" style="display: block; text-align: center;"><cite>Podcast Powered by <a href="http://www.mightyseek.com/podpress/" title="podPress, the dream plugin for podcasting with WordPress"><strong>podPress (v7.7)</strong></a></cite></div> </p> </div><!-- END FOOTER --> </div><!-- END WRAPPER --> <!-- The "blog.txt" theme copyright (c) 2006 Scott Allan Wallick - http://www.plaintxt.org/themes/ --> </body> </html>